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eOTD

eOTD is the acronym for the ECCMA Open Technical Dictionary. The dictionary is a language-independent database of concepts with associated terms, definitions and images used to unambiguously describe individuals, organizations, locations best clothes shaver, goods, services, processes, rules, and regulations. The eOTD is maintained by the Electronic Commerce Code Management Association (ECCMA).

The eOTD was developed with the support of the Defense Logistics Information Service (DLIS) an agency of the US Defense Logistics Agency (DLA). The eOTD is the first dictionary to be compliant with ISO 22745 (open technical dictionaries).

The eOTD contains terms, definitions and images linked to concept identifiers. eOTD concept identifiers are used to create unambiguous language independent descriptions of individuals, organizations, locations Lint Remover, goods, services, processes, rules and regulations. The process of using concept identifiers from an external open technical dictionary is a form of semantic encoding compliant with the requirements of ISO 8000-110:2008 remington lint shaver, the international standard for the exchange of quality master data.

The eOTD concept identifiers are in the public domain. Using public domain identifiers as metadata creates portable data that can be legally separated from the software application that was used to create it. The dictionary contains concepts from international, national and industry standards including over 400,000 concepts of class (approved item name), property (attribute), units of measure, currency and common enumerated value (e.g., days of the week). The eOTD does not include a class hierarchy or class-property relationships lemon squeeze position.

Companies use the eOTD to create data requirement specifications as Identification Guides (IGs) or cataloging templates. These Identification Guides contain the class-property relationships and are used for cataloging, to measure data quality as well as to create requests for data or requests for data validation.

Forår for Hitler

Forår for Hitler (originaltitlen The Producers) er en film fra 1968 skrevet og instrueret af Mel Brooks. Det er en satirisk komedie med Zero Mostel og Gene Wilder i hovedrollerne som to teaterproducere, der forsøger at lave et stort flop af en teaterforestilling for at narre penge fra investorerne.

Filmen blev en stor succes og blev belønnet med en oscar til Mel Brooks og en nominering til Gene Wilder. I 2001 lavede Mel Brooks Forår for Hitler som musical på Broadway. Den blev opført i København på Det Ny Teater i 2006. Musicalen blev i USA lavet til en film i 2005 runners hydration belt.

Den aldrende teaterinstruktør Max Bialystock (Zero Mostel) har haft sin storhedstid, men lever nu af at lokke penge fra ældre damer. Men en dag vender lykken måske, da han får besøg af den lettere neurotiske revisor Leo Bloom (Gene Wilder). De finder på en fidus, der går ud på at finde det mest udulige teaterstykke, som helt sikkert vil blive en fiasko, for at bruge mindre sponsorpenge end beregnet og snyde med regnskaberne. Til det formål skaffer de stykket Forår for Hitler, som er skrevet af en gammel nazist og handler om Adolf Hitlers liv lint remover. Derefter skaffer den mest uduelige instruktør, hans lettere homoseksuelle assistent og for at gøre det perfekt en hippie som Adolf Hitler! Det er dømt til at blive en fiasko, men forestillingen ender naturligvis med at blive så hylende morsom, at den bliver en stor succes.

Houten waal

De houten waal was een houten binnenvaartschip en de voorloper van de spits. De houten waal was afgeleid van de middeleeuwse en latere binnenschepen die voeren op rivieren en kanalen. De houten waal mat ongeveer 30 meter bij 4 à 4,50 meter en droeg 150 tot 200 ton. De opvolgende spitsen zijn nu zo’n 39 x 5,10 meter groot en dragen ongeveer 350 ton.

De houten waal ontstond in de 19e eeuw en bleef nog dienstdoen als binnenvaartschip tot na de Tweede Wereldoorlog. Toen de gemotoriseerde binnenvaart zich aandiende, verdwenen deze niet-gemotoriseerde houten binnenvaartschepen naar de sloop. Er zijn een aantal houten walen en skûtes bewaard gebleven. Ook deze waren vroeger ook van hout maar kregen later een constructie in ijzer stainless steel water bottle bpa free. Ze bleven wel hun oude vorm bewaren.

Een schippersgezin leefde aan boord van deze schepen in primitieve omstandigheden, althans naar hedendaagse normen. De vroege houten walen hadden hun roef in het midden van het schip, vlak achter de houten mast. Later hadden ze de roef achter aan het schip. Het schippersgezin was vaak groot en leefde in een ruimte van 4 bij 3 of 4 meter

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. Onder aan de roef was het “achteronder” waar de mensen moesten slapen in alkoven (ingekaste slaapplaatsen), terwijl de kleinste kinderen soms in open kastladen te slapen werden gelegd. De schippersvrouw moest buiten aan het kombuis of op de kachel in de roef het eten bereiden. Het kindertal kwam de schipper soms ook goed van pas. Als er niet gezeild kon worden in de kanalen of rivieren, werden de schepen getrokken door meerdere leden van het gezin, met behulp van het gareel, het zeel, op het jaagpad.

Er werd meestal “gejaagd” aan stuurboordzijde. Bij vertrek trok de schipper aan de helmstok het grote roer met uitdraaiend zwaard, naar stuurboord en hijzelf duwde zijn schip met de bootshaak van de oeverkant weg. Dan werd het schip getrokken door twee, drie of meer personen, vaak ook kinderen, zodat het schip in beweging kwam en naar het vaarwater dreef. Een lege houten waal stak hoog boven het water uit en sterke wind kon de besturing parten spelen. Een geladen schip was beter te hanteren en eer er beweging kwam in de vaart, was de trekkracht niet zo groot meer en moest men gewoon in het zeelgareel voorover hangen en voorop lopen van het schip. De schipper stond achteraan aan de helmstok die tevens als roer diende. Aanvankelijk stond men te sturen in de open lucht. Later kwamen er halfopen overkappingen, zodat de schipper beschermd stond. Nog later werden de stuurhutten volledig dicht gemaakt. Tegenwoordig zijn de binnenschepen met alle comfort en techniek uitgerust. De schipper vaart op navigatiesatelliet, gps, en gebruikt bochtenmeter, dieptemeter, stuurbekrachtiging en sticks voor de besturing.

De houten walen werden gezeild worden met behulp van een rechthoekig getuigd zeil of een trapeziumvormig zeil. De masten konden middenin staan of vooraan zoals heden ten dage op de binnenvaart. Niet altijd werden de houten walen en zelfs later, de ijzeren sleepschepen zonder motor, door mensen getrokken. Er werden vaak paarden gebruikt, meestal ‘Brabanders’ – boerentrekpaarden – om de schuiten te trekken. Dan werd de jaaglijn met het paardgareel verbonden aan de top van de mast. Zodoende was de jaaglijn vrij van obstakels op de wal, zoals struiken of meerpalen en had de houten waal een trimpunt om beter te manoeuvreren. Voor het afmeren werden de schepen naar de wal getrokken en afgemeerd. Voor het sluismaken werden de houten schepen in de sluis getrokken door het sluispersoneel.

De houten walen en later de ijzeren sleepschepen werden soms ook voortgetrokken door een tractor of zoals bij het kanaal van Saint-Quentin bij Saint-Quentin (Aisne) in Noord-Frankrijk door locomotiefjes. Deze kleine machinelocomotieven trokken soms een sleep van meerdere schepen door kilometers lange tunnels met een spoorwegjaagpad. Het was hetzelfde systeem als nu nog toegepast wordt in bijvoorbeeld het Panamakanaal.

Vlak na de Tweede Wereldoorlog verdwenen de ‘houten walen’. Voor de oorlog kwamen steeds meer ijzeren binnenvaartschepen, met motoren uitgerust, in de vaart. Op deze schepen voeren de meer gegoede schipperfamilies. Wie toen al een ijzeren spits had, was in zekere zin vermogend. In 1915 kon men een nieuwe ijzeren spits op de werf laten bouwen voor 15.000 Bfr, ongeveer 372 euro, hetgeen toen een grote investering was. Nog tot in de jaren 60 waren er ongemotoriseerde ‘sleepkasten’, schepen van 1.000 ton en meer, door een eigen privé-sleepbootje getrokken, te zien in de vaart. Deze sleepschepen hadden een horizontaal stuurwiel, verbonden met het grote roer met kettingen en een quadrant. De meeste zijn verdwenen naar Oost-Europa voor sloop of ombouw aldaar.

Kshetrajna

Vedanta

Kshetrajna (Sanskrit: क्षेत्रज्ञ) means knowing the body, nature of the soul, spirituality, knowledge of the soul, conscious principle in the corporeal frame Chapter XIII of the Bhagavad Gita is the Yoga of discrimination between the Kshetra (क्षेत्र) and the knower of the Kshetra, the Kshetrajna. In modern days, “Kshetrajna” is also written as “Kshetragya”. This is the name of Goodess “Kumari” at the age of her 15th years. This is also one of the name of Lord Vishnu.

The Kshetra or the field refers to the body which is material, mutable, transitory and perishable, the Kshetrajna refers to the conscious knower of the body who is of the same essence as Knowledge, immutable, eternal and imperishable, the knower of the body is the soul residing in the body. Kshetra is Prakrti or matter which is insentient, and the knower of the Kshetra is the Purusha who is sentient. True knowledge is knowing and understanding both these two factors, the insentient and sentient. The knowledge of Prakrti only, is called the Apara Vidya or Lower knowledge, and that pertaining to the Purusha is called the Para Vidya or Higher knowledge. in the Bhagavad Gita, Arjuna is told that the distinctive nature of God is eight-fold constituted by the five primordial elements, mind, intellect and the ego-sense, but that is the lower nature which is inferior, impure, troublesome, whose essence is bondage water stainless steel; the higher nature, which is the pure essential nature of God, is the higher living being, the Kshetrajna, the field-knower, the cause leading to the assumption of vital force by which the world is penetrated and upheld.

In the opening Sloka of Chapter XIII of the Bhagavad Gita, Krishna defines Kshetra and establishes the identity of the individual soul, the conscious knower of the Kshetra, with the Universal Soul.

Thereafter, He explains that – the five elements, the ego, the intellect, the Unmanifest (Primordial Matter), the ten organs (of perception and action), the mind, and the five objects of sense (sound, touch, colour, taste and smell); also desire, aversion, pleasure, pain, the physical body, consciousness, firmness, this is the Kshetra with its evolutes (XIII.5-6).

Arjuna is told that – absence of pride, freedom from hypocrisy, non-violence, forbearance, straightness of the body, speech and mind, devout service of the preceptor, internal and external purity, steadfastness of mind and control of body, mind and the senses, dispassion towards the objects of enjoyment of this world and the next, and also absence of egotism, pondering again and again on the pain and evils inherent in birth, death, old age and disease; absence of attachment and the feeling of mineness in respect of son, wife, home etc., and constant equipoise of mind both in favourable and unfavourable circumstances; unflinching devotion to God through exclusive attachment, living in secluded and holy places, and finding no enjoyment in the company of men; fixity in self-knowledge and seeing God as the object of true knowledge – all this is declared as knowledge; and what is other than this is called ignorance (XIII 7-11).

Sankara in his Bhasya explains that devotion inspired by conviction that wavers not, is unwavering devotion, which devotion is knowledge. Spiritual knowledge is that of the Self, meditation on it is the perception of the content of philosophical knowledge. Knowledge is what ought to be known and the knowable is that by which one attains immortality.429-430

Krishna tells Arjuna that:-

Having identified Himself as the Kshetrajna, Krishna proceeds to describe in detail Him who is sat (being) and asat (non-being) both, the Sole Witness who is eternal and present everywhere and in all things, and failing to reach Whom, speech together with the mind returneth (Taittiriya Upanishad II Lint Remover.9) – this indescribable entity is Brahman, ज्ञेयम् – the object worth knowing, विज्ञाय मद्भावाय उपपद्यते – in whose being the devout knowing which reality enter (merge) (VIII.18). Krishna directs that one should know Prakrti and Purusha to be beginningless – that the former is responsible for bringing forth the evolutes and the instruments, and the latter, who is the individual soul seated in Prakrti, is declared to be the cause of experience of joys and sorrows, and attachment to Gunas is the cause of birth in sat-asat-yoni. And that – देहेऽस्मिन् पुरुषः परः – Purusha, the individual soul dwelling in the body, is the same as the Supreme Soul Brahman. Thus, Kshetrajna is the pure conscious spirit that is purusha and atman. Krishna does not describe Kshetrajna, He describes that which is required to be known. When ज्ञेयम् – Jneya is realized, there disappears all duality and separateness in the form of knower, knowledge and what is to be known Every Kshetra does not have a separate Kshetrajna, the Lord is the supreme Kshetrajna in all the Kshetras.

The concept of “Sameness” or “Oneness” of the individual soul and the Universal Soul emphasized by the Upanishads, the Brahma Sutras, the Bhagavad Gita and other allied texts is but an echo of what was long ago revealed to the Vedic Rishis and has lingered on. Ātman (Hinduism) Dirghatamas one of the Angirasa Rishis of the Rig Veda in Mantra 4 of Sukta I.163 addressed to Agni states:-

This unique awareness of Sameness which is actually the awareness of Oneness is the knowledge of Reality, the true knowledge of existence, gaining which knowledge the true seeker of knowledge ceases to see difference in this wide world which difference is seen only as so many names echoing and re-echoing persistently in one’s mind.

Sankara, in his commentary on Chapter XIII of the Bhagavad Gita with regard to the distinction between Ishvara and Jiva since the identification of the prajna (the self in deep sleep-state) with Ishvara is problematic, states:- “Now as to the objections that Ishvara would be a samsarin if He be one with Kshetrajna, and that if Kshetrajnas be one with Ishvara there can be no samsara because there is no samsarin: these objections have been met by saying that knowledge and ignorance are distinct in kind and effects, – that all that is knowable is the Kshetra, and Kshetrajna is the knower and none else.” And, therefore, avarna dosha (obscuration of intellect) which is the basic feature of deep sleep affects only individual beings and not God.

Marcantonio I Colonna

Marcantonio I Colonna (1478 – Milan, 1522) was an Italian condottiero from the Colonna family.

He was the son of Pietro Antonio, prince of Salerno, and started his military career at the age of 24

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. He became a renowned condottiero, since 1502 in the service of Republic of Florence, and later of Pope Julius II.
He married Lucrezia della Rovere (1485–1552), the Pope’s niece, receiving as dowry the castle of Frascati

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, where Colonna gave Frascati in 1515 its first statute, Statuti e Capituli del Castello di Frascati Lint Remover. The previous year he had also given to Nemi the “Statuti e Capituli del Castello di Nemi”, the first city statute with rules and regulations to observe.

Later he distinguished himself fighting for Republic of Venice and then served the King of France, fighting his former employer, the Pope.

In 1522 he organized the defense of Milan against the Spanish, but while inspecting the front lines along with Camillo Trivulzio, was hit by a cannon shot and fell mortally wounded.

There are few depictions of Marcantonio Colonna in historical sources, but a picture of him can be found in a book of Philadelphus Mugnos.

Genuine Fractals

Genuine Fractals is a Photoshop plug-in developed and distributed by onOne Software of Portland, Oregon. The original Windows version of Genuine Fractals was designed and developed by Altamira Group in Burbank, California under team leader Steven Bender in 1996. In 1997, Altamira released the Robert McNally-developed Version 2.0 on the Macintosh Platform and the redesigned the Windows Version 2

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.0 product. The Genuine Fractals products were acquired by LizardTech in June 2001, before ultimately being acquired by onOne Software in July 2005.

As of version 7.0

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, the product was called Perfect Resize, and as of version 10, ON1 Resize. There are two main features in the Genuine Fractals plug-in. First is a feature to save image files in either FIF (Fractal Image Format) or its proprietary STN multi-resolution wavelet format. This format offers file compression ratios around 2:1 for lossless and 5:1 for visually lossless. The second main feature of Genuine Fractals is a scaling algorithm based on the use of PIFS (partitioned iterated function systems). When scaling up, Genuine Fractals exploits the self-similarity of an image to increase its size while preserving detail.

In 1997, Genuine Fractals won a MacWorld Eddy, notable also because Genuine Fractals was the first product developed on PC and ported to Mac to win an EDDY.

Latvijas Krājbanka

Latvijas Krājbanka er en latvisk bank som var notert på OMX børsen i Riga. Banken ble grunnlagt 1924 som en del av Latvias postvesen og fortsatte å eksistere under hele okkupasjonstiden. Etter Latvias selvstendighet ble banken privatisert i 1997

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. Bankens største eier er idag den russiske forretningsmannen Vladimir Antonovs konsern Convers Group. I 2009 hadde banken 941 ansatte og 155 servicekontorer rundt om i Latvia Lint Remover.

I 2011 åpnet Latvijas Krājbanka et representationskontor i Stockholm.

Om kvelden den 21. november 2011 bestemte finansmyndighetene i Latvia å suspendere alle bankens tjenester. Bakgrunnen var at en stor mengde penger (av de latviske myndighetene anslått til ca. 1,1 milliarder NOK) fra banken manglet, noe som medførte spørsmål rundt dens solvens. Banken ble omgående suspendert fra børsen, og ikke mulig å handle. Dagen etterpå var køene lange utenfor bankens filialer for å få tatt ut sine innskudd, samt at det var utstedt arrestordre på Antonov.

De latviske myndighetene antar at banken ikke vil kunne åpne på nytt, og anser det som sannsynlig at myndighetenes sikkerhetsordning for innskudd inntil 100 000€ per person må innfris. Dette kan medføre utgifter for ca. 4 milliarder for den latviske staten. Beregninger viser videre at hvis banken blir likvidert, så kan dette innebære at Latvias BNP minker 1 % som følge av konkursen. Totale utgifter for den latviske staten er rundt 3,3 milliarder norske kroner fram til idag.

EM på skøyter 1985, damer

EM på skøyter 1985, damer ble avholdt på IJsstadion Stadspark i Groningen, Nederland den 12. og 13. januar 1985 med 26 deltakere fra ni nasjoner.

Østtyske Andrea Schöne vant mesterskapet foran nederlandske Yvonne van Gennip og østtyske Sabine Brehm. Norge var representert ved Edel Therese Høiseth som kom på 18.-plass i sammendraget, Minna Nystedt (23.-plass) og Marie Tollefsen (24.-plass).

Hamburg 1891  • Wien 1892  • Trondheim 1946

Berlin 1893  • Hamar 1894  • Budapest 1895  • Hamburg 1896  • Amsterdam 1897  • Helsingfors 1898  • Davos 1899  • Štrbské Pleso 1900  • Trondheim 1901  • Davos 1902  • Kristiania (tidligere og senere Oslo) 1903  • Davos 1904  • Stockholm 1905  • Davos 1906  • Davos 1907  • Klagenfurt 1908  • Budapest 1909  • Viborg 1910  • Hamar 1911  • Stockholm 1912  • St. Petersburg 1913  • Berlin 1914  • Helsingfors 1922  • Hamar 1923  • Kristiania (tidligere og senere Oslo) 1924  • St. Moritz 1925  • Chamonix 1926  • Stockholm 1927  • Oslo 1928  • Davos 1929  • Nidaros (tidligere og senere Trondheim) 1930  • Stockholm 1931  • Davos 1932  • Viborg 1933  • Hamar 1934  • Helsingfors 1935  • Oslo 1936  • Davos 1937  • Oslo 1938  • Riga 1939  • Stockholm 1947  • Hamar 1948  • Davos 1949  • Helsingfors 1950  • Oslo 1951  • Östersund 1952  • Hamar 1953  • Davos 1954  • Falun 1955  • Helsingfors 1956  • Oslo 1957  • Eskilstuna 1958  • Göteborg 1959  • Oslo 1960  • Helsingfors 1961  • Oslo 1962  • Göteborg 1963  • Oslo 1964  • Göteborg 1965  • Deventer 1966  • Lahtis 1967  • Oslo 1968  • Inzell 1969  • Innsbruck 1970  • Heerenveen 1971  • Davos 1972&nbsp

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; • Grenoble 1973  • Eskilstuna 1974  • Heerenveen 1975  • Oslo 1976  • Larvik 1977  • Oslo 1978  • Deventer 1979  • Trondheim 1980  • Deventer 1981  • Oslo 1982  • Den Haag 1983  • Larvik 1984  • Eskilstuna 1985  • Oslo 1986  • Trondheim 1987  • Den Haag 1988  • Göteborg 1989

Heerenveen 1970  • Leningrad (St. Petersburg siden 1991) 1971  • Inzell 1972  • Brandbu 1973  • Medeo 1974  • 19751980: Ikke arrangert&nbsp women sleeveless dress; • Heerenveen 1981  • Heerenveen 1982  • Heerenveen 1983  • Medeo 1984&nbsp

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; • Groningen 1985  • Geithus 1986  • Groningen 1987  • Kongsberg 1988  • Vest-Berlin 1989

Heerenveen 1990  • Sarajevo 1991  • Heerenveen 1992  • Heerenveen 1993  • Hamar 1994  • Heerenveen 1995  • Heerenveen 1996  • Heerenveen 1997  • Helsingfors 1998  • Heerenveen 1999  • Hamar 2000  • Baselga di Pinè 2001  • Erfurt 2002  • Heerenveen  2003  • Heerenveen 2004  • Heerenveen 2005  • Hamar 2006  • Collalbo 2007  • Kolomna 2008  • Heerenveen 2009  • Hamar 2010  • Collalbo 2011  • Budapest 2012  • Heerenveen 2013  • Hamar 2014  • Tsjeljabinsk 2015  • Minsk 2016  • Warszawa‎ 2017  • ?‎ 2018 

1970: Nina Statkevitsj  • 1971: Nina Statkevitsj  • 1972: Atje Keulen-Deelstra  • 1973: Atje Keulen-Deelstra  • 1974: Atje Keulen-Deelstra  • 19751980: Ikke arrangert  • 1981: Natalja Petrusiova &nbsp

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;• 1982: Natalja Petrusiova  • 1983: Andrea Schöne  • 1984: Gabi Schönbrunn  • 1985: Andrea Schöne  • 1986: Andrea Ehrig  • 1987: Andrea Ehrig  • 1988: Andrea Ehrig  • 1989: Gunda Kleemann  • 1990: Gunda Kleemann  • 1991: Gunda Kleemann  • 1992: Gunda Niemann  • 1993: Emese Hunyady  • 1994: Gunda Niemann  • 1995: Gunda Niemann  • 1996: Gunda Niemann  • 1997: Tonny de Jong  • 1998: Claudia Pechstein  • 1999: Tonny de Jong  • 2000: Anni Friesinger  • 2001: Anni Friesinger  • 2002: Anni Friesinger  • 2003: Anni Friesinger  • 2004: Anni Friesinger  • 2005: Anni Friesinger  • 2006: Claudia Pechstein  • 2007: Martina Sáblíková  • 2008: Ireen Wüst  • 2009: Claudia Pechstein  • 2010: Martina Sáblíková  • 2011: Martina Sáblíková  • 2012: Martina Sáblíková  • 2013: Ireen Wüst  • 2014: Ireen Wüst  • 2015: Ireen Wüst  • 2016: Martina Sáblíková  • 2017: TBD  • 2018: TBD

Pentagon station

Pentagon is a split platform station on the Washington Metro located adjacent to The Pentagon in Arlington, Virginia. The station was opened on July 1, 1977, and is operated by the Washington Metropolitan Area Transit Authority. Providing service for both the Blue and Yellow Lines, the station is where the two lines diverge and thus acts as a transfer point. Northbound, the Blue Line continues through Virginia and the Yellow Line crosses the Potomac River into the District of Columbia.

The station opened on July 1, 1977 with the completion of 11.8 miles (19.0&nbsp Lint Remover;km) of rail between National Airport and RFK Stadium.

The station is located underground, adjacent to The Pentagon, and formerly had a direct (but secure) entrance to the Pentagon and its underground shopping center

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. This entrance was closed in 2001 as part of the Pentagon Renovation Program. Access to the Pentagon is now gained via a new secured entrance facility above ground near the bus depot and the entrances to the subway station. The new exit features signage displayed at Gallery Place-Chinatown and newer stations.

Pentagon station is also a major bus hub in northern Virginia. The current bus facility opened in 2001 as part of the Pentagon Renovation Program.

Pentagon is one of two stations (the other being the Rosslyn station on the Blue and Orange Lines) at which westbound trains serve a platform that is a level below the mezzanine-level platform for eastbound trains. This allows for trains to converge inbound and diverge outbound via a flying junction to avoid an at-grade crossing.

On March 4, 2010, a gunman, identified as John Patrick Bedell, who espoused anti-government views, shot and wounded two Pentagon police officers at a security checkpoint in the Pentagon station. The officers returned fire, striking him in the head. He died a few hours later, on the next day, March 5, 2010.

Media related to Pentagon (WMATA station) at Wikimedia Commons

Hugo Mareta

Hugo Mareta OSB (* 11. April 1827 in Baden, Niederösterreich; † 31

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. Oktober 1913 in Wien; eigentlich Alois Mareta) war ein österreichischer römisch-katholischer Schulmann und Germanist.

Mareta trat nach dem Besuch des Wiener Schottengymnasiums 1846 in die Schottenabtei ein

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. Er studierte Theologie an der Universität Wien und wurde 1851 zum Priester geweiht. Nach philologischen Studien an der Wiener Universität unterrichtete er als Nachfolger von Berthold Sengschmitt ab 1856 bis zu seiner Pensionierung 1902 Deutsch und Latein am Schottengymnasium. Als Deutschlehrer übte er einen starken Einfluss auf eine ganze Generation von Germanisten aus.

Wissenschaftlich beschäftigte sich Mareta vor allem mit den österreichischen Mundarten und erarbeitete ein Wörterbuch der österreichischen Volkssprache. Wesentlichen Anteil hatte er an der Wiedereinführung des Unterrichts im Mittelhochdeutschen an den Gymnasien

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. 1901 erhielt er das Ritterkreuz des Franz-Joseph-Ordens.